Today the long-missing manual for Curtis for iPad has finally found its way to our site. Hopefully this clarifies any obscurities in the interface. We’ve long wondered about all those buttons and sliders.
Archive for the ‘Synthesizer’ Category
So that’s what that does!
Friday, April 29th, 2011Terrible .2′s
Friday, April 8th, 2011Performance recording just got released with Curtis for iPad 2.2, and it’s queued up and awaiting approval with CP 1919 version 1.2 along with a slew of nifty additions and the odd bug fix. We’re eagerly awaiting the release, but in the meantime, here’s a preview:
Further Back and Faster
Saturday, March 26th, 2011At last! CP 1919 1.1 is runnin’ smooth and on its way to an App Store near you.
The backstory: We held off updating our development iPad to iOS 4 while finishing the app to keep it compatible with the old OS, and after launch we found it ran like molasses on the latest iOS. Imagine the horror! A great deal of low-level optimization later: we have a far slicker CP 1919 for you, clipping along at the 30fps we’ve all grown to love. Same great taste, more responsive interface.
Per your demand, audio recording is next in the queue. Audio copy will follow. But what about MIDI? Are y’all clamoring for MIDI?
A huge thanks to the early-adopters; you keep this all possible!
Spacelift
Wednesday, February 16th, 2011Sound Scope Space for iPad just got a major facelift along with the addition of the number one user-requested feature: presets. You can now save and recall all settings and wave shapes. We hope this will help make Space more of a tool and less of a toy. Enjoy!
Feature Creep
Sunday, November 21st, 2010Adds a planar attractor. Adds friction. Adds emitter position. Adds binary pulsar attractor.
Curtis turns 2.0
Monday, November 8th, 2010We’re eminently pleased to announce the 2.0 release of Curtis today, with some great new features:
- • All new user interface
- • Amplitude envelope
- • Scratch mode
- • Chromatic pitch quantize
We think this edition is a great improvement over the last. It’s far more musical, with chromatic quantize snapping the grain pitch to actual notes. A fantastic idea from Sleazy! The new amplitude envelope greatly extends usability and expressivity, so Curtis doesn’t perpetually sound, but can now be played like a more traditional instrument. Controls have all been surfaced, so there is no longer a need to flip down a hidden panel. The scratch mode we were playing around with some months ago has been incorporated as well. A big thanks to the users who wrote with suggestions, ideas, and demands!